Yaba Blay on colorism, being an insider/outsider in the academy, and how celebrating Black girl magic is key to how she imagines otherwise.
Ojibwe video artist and scholar Marcella Ernest shares why complex subjects require complex film techniques, how scholar-artists can use their academic pursuits as inspiration for their creative endeavors and vice versa, and how building a better world requires a new relationship between humans, land, and resources.
E. Patrick Johnson shares his creative process, how he translates scholarly ideas into artistic work and vice versa, how Black gay men and women are crafting community-based oral histories, and how artistic and scholarly collaboration is a key way he imagines otherwise.
Felami Burgess chats about queer of color media representation, her multimedia and transnational trajectory, how any class on any topic can be an opportunity to create, and why now more than ever we need to braid art, activism, and academia to build better worlds.
André Pérez shares his approach to multimedia projects, why he focuses on work that empowers marginalized communities, and how storytelling helps us imagine otherwise.
Wazhmah Osman addresses the politics of memoir, what the trauma of war does to archival research, and her critically acclaimed documentary film, Postcards from Tora Bora, which recounts Wazhmah's return to her childhood home of Kabul, Afghanistan nearly 20 years after her family fled Cold War violence.
Aishah Shahidah Simmons on her award-winning film NO!: The Rape Documentary and how every one of us can help end violence in our communities.
What are the benefits of indie television production for women, queers, and trans people of color? How is the slow speed of collaborative work actually an advantage? Aymar Jean Christian chats about Open TV; independent web series by queers, women, and trans people of color; and how his scholarship has informed his creative work.