Portfolio: Duke University Press

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Cover of Poetic Operations: Trans of Color Art in Digital Media, with a group performance overlaid with symbols

Poetic Operations

Cover of New Growth: The Art and Texture of Black Hair, with the doubled image of a person in an elaborate hairstyle resting their chin on their hands

New Growth

Cover of Panama in Black: Afro-Caribbean World Making in the Twentieth Century, with a collage of newspaper articles, students sitting at desks, and people posing for group photos

Panama in Black

Cover of Plastic Matter, with a deer in a field with plastic rope and an orange balloon stuck in their antlers

Plastic Matter

Cover of Translating Blackness: Latinx Colonialities in Global Perspectives, with painted landscape of rock formation under sunset skies

Translating Blackness

Cover of The Work of Rape, with collage artwork of soldiers on steps

The Work of Rape

Cover of Domestic Contradictions: Race and Gendered Citizenship from Reconstruction to Welfare Reform, with black and white drawing of two people holding arms talking with a bird between them

Domestic Contradictions

Cover of Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank, with pink and purple squares in the shape of the West Bank

Palestine Is Throwing a Party and the Whole World Is Invited

Cover of Hawai‘i Is My Haven: Race and Indigeneity in the Black Pacific, with a person covered in pink flowers smiling blissfully

Hawai‘i Is My Haven

Cover of Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable, with ruins of a pier with the New York City skyline in the background

Atmospheres of Violence

Cover of Bo Ruberg's The Queer Games Avant-Garde - Bright pink cover with cartoon image of a person wearing a blue dress with the head of a wolf

The Queer Games Avant-Garde

Cover of Unseeing Empire: Photography, Representation, South Asian America, with black and white rendering of picture frames, monuments, and architecture

Unseeing Empire

Cover of Home Rule: National Sovereignty and the Separation of Natives and Migrants, with ancient multistoried building and prostrating people in front of a royal-looking entourage

Home Rule

Cover of Capturing Finance: Arbitrage and Social Domination, with various paper currencies torn into bits and scattered across the cover

Capturing Finance

Cover of Postcolonial Configurations: Dictatorship, the Racial Cold War, and Filipino America, with bright pink and teal abstract artwork

Postcolonial Configurations

Cover of Invited to Witness: Solidarity Tourism Across Occupied Palestine, with two people arranging photo wall against a military wall while birds fly overhead

Invited to Witness

Cover of Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment, with a person in a tube top wearing multiple, large gold necklaces

Aesthetics of Excess

Cover of Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change, with shimmering image of person swimming

Shimmering Images

Cover of I Stand in My Own Place with My Own Day Here: Site-Specific Art at The New School, with title in neon letters

I Stand in My Place with My Own Day Here

Cover of The Black Shoals: Offshore Formations of Black and Native Studies, with artist's charcoal drawing of a person in swirly lines

The Black Shoals

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