Professor and artist Shaka McGlotten talks about the erotic relationship we often have to the things that we study as well as how that always necessitates both desire and loss, how students can harness the power of Afrofuturism and speculation to combat white supremacy and climate change, and how queer and trans communities of color can use voguing, drag, and what Shaka calls "Black Data" to imagine and create new worlds.Read More
Imagine Otherwise: Aymar Jean Christian on Queer & Trans of Color Media Production
What are the benefits of indie television production for women, queers, and trans people of color? How is the slow speed of collaborative work actually an advantage?
In Episode 3 of the Imagine Otherwise podcast, host Cathy Hannabach interviews guest Aymar Jean Christian about Open TV, independent web series by queers, women, and trans people people of color, how his scholarship has informed his television production, and what it means to imagine otherwise.
We invite you to check out the episode, as well as our show notes and highlights below.
Guest: Aymar Jean Christian
- Aymar is an Assistant Professor of Communication at Northwestern University and the founder of Open TV, a platform for television by queer, transgender and cisgender women or artists of color. Since premiering in March 2015, Open TV beta has released three pilots and two series, and has received critical acclaim by the Tribeca Film Festival and Independent Film Project’s Gotham Awards. Open TV expands the art of television storytelling, increases television’s responsibility to queer communities outside of Hollywood, and models best practices in creating and distributing artistic stories by communities historically marginalized in the development process. Aymar is also working on a book called Open TV: Innovation Beyond Networks, which explores web series as a space of innovation independent of legacy television development.
We chatted about:
- The birth of OpenTV (02:00)
- Why small-scale video production is best for community accountability (07:00)
- Diverse representation versus authentic representation, and how to marry the two (12:00)
- What we can learn from Slow Television (20:00)
- The pleasures and difficulty of collaboration (34:00)
- Imagining Otherwise (00:00)
- On the goals of OpenTV: “I want my platform to reflect as many diverse experiences as possible”:
- On reasons why not to scale a production company: “The fact that it’s independently produced and independently distributed through digital networks is significant. Open TV is definitely about small-scale video production…I would love to make all my artists rich, but I know that when you reach [a large] scale, it becomes difficult to remain accountable to community and also to function ethically.”
- On prior attempts at diverse media representation: “We’ve seen historically that television’s investments in programming do not produce diversity. Even when people of color or queer people are on the screen, they are made acceptable to the masses in all these ways that really inhibit our vision of what people are like in America.”
- On the metaphor of Slow Television: “People have made the analogy between fast food and corporate television, and I’m seeing that analogy play out in my own life. I’m making slow television—it’s small-scale, it’s creating these intimate connections, small crews, and building those connections, building rapport among the teams, and then it’s getting the thing made. It’s all on people’s times, and it’s a lot of people’s passion, even though I’m paying people, so it takes time. And I think that’s great.”
- On collaboration: “The great thing about Open TV is that it’s an artist-driven project, such that we can only go as fast as every artist involved can go.”
- On Imagining Otherwise: I want a television system that embraces difference, that embraces multiplicity and indeterminacy and local experiences. I want platforms that make it their mission to be accountable to communities and to grow community, and not just to grow money and create commercial value, but also create cultural value.”
More from Aymar:
Projects and people discussed:
- Lisa Henderson, queer feminist communication studies scholar
- E. Patrick Johnson, performance artist/scholar (Check out his Imagine Otherwise interview here)
- Sam Bailey’s You’re So Talented TV series
- Awkward Black Girl TV series
- Black & Sexy TV
- Tello Films
- I Am Other
- Slow Food Movement
- The Guild TV series
- Henry Jenkin’s book Spreadable Media
- Lisa Feinberg’s Stone Butch Blues
- Rashida KhanBey’s Women Untamed
About Imagine Otherwise:
Imagine Otherwise is a podcast about the people and projects bridging art, activism, and academia to build better worlds. Episodes offer in-depth interviews with creators who use culture for social justice, and explore the nitty-gritty work of imagining and creating more just worlds. Check out full podcast episodes and show notes at ideasonfire.net/episodes. Imagine Otherwise is produced by Ideas on Fire, an academic editing and consulting agency helping progressive, interdisciplinary scholars write and publish awesome texts, enliven public conversations, and create more just worlds.
If you liked this episode, check out:
- Imagine Otherwise episode 31: Felami Burgess describes how she became a media producer to increase queer, trans, and women of color media representation, as well as her producing work on Black Card
- Imagine Otherwise episode 23: André Pérez talks about Been T/Here and the Trans Oral History Project, filmic projects centering the voices and stories of of transgender people of color
- Imagine Otherwise episode 22: Wazhmah Osman opens up about her process of making her film Postcards from Tora Bora, a documentary exploring her return to her childhood home of Kabul, Afghanistan nearly 20 years after her family fled Cold War violence.
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